The classical concert experience is reimagined as an art form for the San Francisco Symphony
Strategy, design, and communications company COLLINS has partnered with the internationally acclaimed San Francisco Symphony to illustrate that classical music can be an art form.
Like all great art, music both inspires and reflects the times we live in.
However, ‘classical’ music also suffers from an ongoing and ruthless PR problem: it is too often perceived as an unchanging, dusty, old-world music for elite audiences only.
Facing this challenge was The San Francisco Symphony, a 108-year old cultural legend with international acclaim and a deep legacy of rewriting the rules to advance the relevance of the orchestral arts.
To broaden its reach to diverse audiences, the Symphony took a new approach in it's In addition, the symphony’s famed maverick music director, Michael Tilson Thomas, closed out his extraordinary 25-year tenure and passed the baton to visionary conductor and composer Esa–Pekka Salonen in the midst of the global pandemic.
Salonen’s relentless drive to reposition classical music for the 21st century aligned perfectly with everything San Francisco and the cultural organization stood for. Together, they created an experimental blueprint for the future of symphonic music built upon a new and ground-breaking artistic leadership model: eight collaborative partners, from a variety of cultural disciplines, that include Bryce Dressner of The National, artificial intelligence entrepreneur Carol Reiley, bassist Esperanza Spalding, classical vocalist Julia Bullock, experimental flutist Claire Chase, violinist Pekka Kuusisto, and composer and pianist Nicholas Britell.
COLLINS was invited to help clarify, define, and express this new vision for the Symphony, and help them re-assert classical music as a crucial, global contemporary art form — all while staying rooted in the community and strengthening the bonds that have made them so successful for over a century.
By collaborating with the Symphony musicians, audiences, staff, executive leadership, and board members, COLLINS defined a new, shared vision for the future which became a foundation for creative and design experimentation. This inspired an ever-responsive, evolving visual system that brings to life the dynamic qualities of classical music itself. Starting with traditional typography that speaks to the art form’s heritage — they used responsive and variable font technology to add an unexpected contemporary behaviour — giving each typographic character the ability to immediately change form in reaction to sound and music. COLLINS also crafted a more expressive voice that juxtaposes the timeless formality of black and white with a contemporary palette inspired by the unique colours and landscape of the Bay Area.
Also central to the new brand is the Symphosizer. With concert halls around the world remaining closed indefinitely, the online platform uses responsive and variable font technology to give users the experience of enjoying a classical concert from the comfort of their homes with an added interactive, visual dimension.
“At its heart, classical music is an interactive experience,” explains COLLINS creative director Louis Mikolay. “Because there are no lyrics, every listener is open to interpret the music in their own way. The Symphosizer enhances this idea by inviting you to explore a completely personal emotional journey during a performance. The motion of the letterforms symbolizes the emotional expressions of the piece itself, uplifting layers and details in the music which may have previously gone unnoticed. This brings a new depth to that personal journey.”
“It’s true that the origins of classical music are hundreds of years old, if not more,” Mikolay continues, “but the general population doesn't tend to realize that it has been in a constant state of flux since its inception. It has been defining and redefining itself with each generation – even woven into movie scores, video games, and beyond. Classical music has an incredible amount to offer all of us, especially in such a stressful time. We have been honoured to work with the multi-talented teams at The San Francisco Symphony to help broaden its relevance in the modern world.”
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