He’s coming home: Women’s Aid and House 337 show the darker side of World Cup
A chilling new campaign by House 337 for Women’s Aid highlights that domestic abuse can become more frequent or severe during big football tournaments, including the FIFA World Cup.
The tournament takes place in winter for the first time this year, when the cold and dark will mean that more fans than usual will choose to stay at home to watch the games.
For many women, it is a time of fear, where existing domestic violence can increase, with incidents going up by as much as 38% (University of Lancaster).
While football does not cause domestic abuse, existing abuse can intensify around key tournaments, meaning that increased awareness can help the charity to save lives.
House 337’s campaign reassures these women that they are not alone and reminds us that, if we can all come together as a nation to support a football team, we can also come together to tackle domestic abuse.
The unsettling film takes the form of a single tracking shot through a cul-de-sac, showing the flags hanging up outside in support of the national team, while inside people are enjoying the game.
But as we round on the final house, the mood changes. The cheers stop and we see a huge flag that reads, “He’s coming home,” highlighting the fear and isolation that many women will experience throughout the tournament.
The film is part of Women’s Aid’s two-year ‘Come Together To End Domestic Abuse’ campaign, which runs until 2024 and encourages the public to act together wherever they are and use actions, big and small, to end domestic abuse. Backed by Women’s Aid Patrons including Spice Girls star Melanie Brown and actor Dame Julie Walters, the campaign promotes five actions that everyone can take to stop domestic abuse, from adding their voice to campaigns to learning what to say to someone experiencing abuse. For more information on how to get involved, click here.
Farah Nazeer, chief executive of Women’s Aid said: “There is a role to play for everyone in helping to end domestic abuse and raising awareness of the support available during major tournaments like the upcoming World Cup can help many women living with abusive partners. While domestic abuse is not caused by football, we know existing abuse can become more severe or frequent during big tournaments. We ask everyone to help share this important campaign at a time when many women need to know how to get support.”
Christoper Ringsell, creative director from House 337 said: “During this time as the nation comes together we want to subvert the usual football tropes and shine a light on the chilling fact that for many women it’s a time of fear not celebration. They need your support too. The visual spectacle of the flag retains its power, but with a new, chilling twist. We want to encourage people to be aware of friends and neighbours in their community and come together to try and end domestic abuse. To seek out tangible things they can do to Be Women’s Aid”.
OOH sites across the country will display the ‘He’s coming home’ flag, which was designed by Corbin Shaw, a young artist whose work features hard-hitting words over the St George’s flag to challenge stereotypes of masculinity, class and LBGTQ+ issues. The flags will be auctioned at the end of the campaign to raise further funds.
Executive Creative Director: Jo Moore
Creative Director: Chris Ringsell
Senior creative: Holly Fallows
Senior creative: Charlotte Watmough
Head of Strategy: Georgina Murray-Burton
Strategy Director: Laura Sammarco
Senior Influencer strategist: Paul Lynch
Business Director: Kat Thompson
Senior Account Director: Marianne Roberts
Account Manager: Catia Fernandes Poon
Agency Senior Producer: Tash Dean
Senior Project Manager: Chelsea Chapman
Design Director: Aaron Pacey
Head of Production: Victoria Fischer
Executive Producer: Melody Sylvester
Artist (Flag design): Corbin Shaw
Photographer: Felicity Crawshaw
Director: Sara Dunlop
Production company: The Corner Shop
Production co Founder: Anna Hashmi
Production co Executive Producer / Producer: Tess Mitchell
Production Manager: Alice Pitt Carter
Production Assistant: Katie Scott
Location Manager: Johnny Hopkins
1st AD: Kitty Rajakulasingam
Runners: Danny Berkley Gracie Coleman Rodrigo Pacheco
DoP: Harry Wheeler
Focus: puller Ant Hugill
Loader: Callum Reeves
Agito driver: Matt Gladstone
Shotover Tech: Barnaby Fairfax
Gaffer: Andy Mac Alex Gibbons
Spark: Dex Lovely
SFX Haze: Keith Harding @ FilmSFX
DIT: James Moser
Playback: Ryan Booth
Production Designer: John Ebden
Prop Man: Simon Clift Nick Turnbull
Editor: Bill Smedley @ Work Editorial
Edit Producer: Ellie McNaughton / Charlie Dalton
Post Production: Absolute
Colour: Matt Turner
Flame Artist: Jasmine Cooper, Chris Tobin, Phil Oldham
Post Producer: Ollie Ireland
Sound Design: Jack Sedgwick @ King Lear
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